Fantasy Deluxe releases “☆420 Deluxe☆☆☆ SUMMER​~​NiTES-MEGAMIX☆” by ☆420永遠に☆

On first glance, you know what this reminds me of? ☆★☆ ボーナススピン幸運 !!! by C A S I N O ☆★☆★☆ M A S T E R on TKX Vault. Both albums are single long-form tracks with a ridiculously excited presentation and a mix-tape feel. ☆420 Deluxe☆☆☆ SUMMER​~​NiTES-MEGAMIX☆ bounces between hypnagogic drift, ECCOJAMS, and classic-style vaporwave. It’s available as a […]

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Dream Catalogue releases “夢市” by 仮想夢プラザ

The next installment to telepath’s long-running 仮想夢プラザ series is here by way of 夢市. The previous albums in the series (which is now at seventy-three releases since 2014) all featured single tracks at half-hours in length; but this time, 夢市 has two, and they’re suites of slowly evolving synthesizers in classic dreampunk style with a bit of telepath’s signature wash. […]

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Dark Triad Records releases “THE HERMIT VERSUS TOWERS OF LABOR” by DJ SVYATOPOLK

Here’s something different: THE HERMIT VERSUS TOWERS OF LABOR by DJ SVYATOPOLK, out on Dark Triad Records. It’s communism-themed hardvapor/IDM with hints of ghost tech at eight to twelve minutes in length per track. There’s quite a bit here that’s reminiscent of early rave culture; fans of harder-hitting stuff from the Artificial Intelligence series with a bass-heavy bent might enjoy […]

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Elemental 95 releases “მანქანა” by შესასვლელი

That’s the Georgian script, in case you were wondering. Pretty, isn’t it? მანქანა is out on French-American label Elemental 95, from the artist შესასვლელი. This album is two half-hour tracks of lowercase mallsoft – probably the quietest, most furniture-music release in the entire subgenre. It’s available as a pay-what-you-want digital download. Check it out below:   მანქანა by შესასვლელი 0

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BLCR Laboratories reissues “愛慕 / 悲哀” by t e l e p a t h & HKE

An early split by dreampunk/vaporwave giants telepath and HKE is back out on BLCR Laboratories. The album is 愛慕 / 悲哀, which was originally released in early 2015 on the same date as the duo’s 新しい日の誕生 collaboration as 2814. In comparison, 愛慕 / 悲哀 is far more “ambient,” with the telepath side notably eschewing the foggy production haze of former […]

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