BLCR Laboratories releases “Animal Intelligence” by Darksleep

Animal Intelligence is new music from Darksleep, an electronic music artist who got his start with the ECCOJAMS of Identity Ender and moved on from vaporwave to more eclectic forms of experimental music such as Obviate. This release is newly available through BLCR Laboratories. It combines ambient music, jungle, and breakbeat with some flavors of early-90s IDM (such as in […]

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AOTW | 24 July – 30 July: Darksleep – Identity Ender

For many, ECCOJAMS began and ended with Daniel Lopatin’s ECCOJAMS (producing as Chuck Person). That’s not quite true. Now ECCOJAMS certainly had its most thriving period in the early era of vaporwave (2010-2012), but there are a multitude of artists who continue(d) to release music that evoked Lopatin’s surreal vaporwave trendsetter. Identity Ender is one of those albums. The first […]

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BLCR Laboratories releases “FEARLESS / LEVEL 7” split by ALINA VOVK / HKE

Coming to a vinyl player near you is FEARLESS / LEVEL 7, a new 7-inch split single by ALINA VOVK and HKE on BLCR Laboratories. This release is being promoted as “the Future of Hardvapour”, and it represents a somewhat more downtempo and polyrhythmic approach to hardvapour that seems influenced by HKE’s interest in ghost tech music via the Pyramids […]

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BLCR Laboratories releases “Thigh” by Kagami Smile

Thigh is Kagami Smile’s fourth overall release and second for BLCR Laboratories, following debut Mouthtrip. This release is lo-fi house music, industrial techno, and IDM wrapped up in a neat package that flaunts the word “polyrhythmic”. The album also includes a companion piece that you can access here. It’s recommended for fans of the Tekres label – on which Kagami […]

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BLCR Laboratories releases “Future City Love Stories” by Future City Love Stories

Future City Love Stories is the second album from the eponymous project by HKE, one of the foremost and most prolific producers in dreampunk, vaporwave, and ghost tech – not to mention cyberpunk-themed music at large. This release was originally produced toward the end of 2015 (for which I totally had a citation but now I can’t find it). In […]

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