monument XIII – honestly
Classic-style vaporwave from Robin Burnett of INTERNET CLUB.
Continue reading »the vaporwave resource network
Classic-style vaporwave from Robin Burnett of INTERNET CLUB.
Continue reading »I’m kind of surprised that this album has not yet been featured as an album-of-the-week. Then again, it was languishing in the “to-review” pile for almost a year simply because it’s almost intimidating to talk about albums that are very successful at what they do. REDEFINING THE WORKPLACE is an album that captures the zeitgeist of vaporwave – if there […]
Continue reading »Recommendation: ☀☀☀ | Taking new age music and turning it into a hyper-realist corporate environment where everything is shiny happy people.
Continue reading »Recommendation: ☀☁☁ Released in November 2012, PURE TRANCE is one of the final albums released by Robin Burnett as Internet Club – excluding reissues and remixes. In contrast to the epicness of albums such as REDEFINING THE WORKPLACE and Vanishing Vision, PURE TRANCE is a short vignette: fifteen tracks, twenty-one minutes of glitchy, microsample signalwave. There are no ten-minute new […]
Continue reading »One of the most divisive releases in the scene, ▣世界から解放され▣ is the epitome of the broken transmission subgenre of vaporwave. This short, barely EP-length release is entirely made up of shredded television advertisements and jingles pasted together and covered with a layer of grime like an Odyssey video game set that has not seen use since the seventies. It’s difficult, […]
Continue reading »Recommendation: ☀☀☀ | Broken transmission that cuts right to the heart of vaporwave’s obsession with and farcical interpretation of nostalgia – at once an entirely serious and entirely tongue-in-cheek release.
Continue reading »Recommendation: ☀☁☁ [Originally posted to the SongSavers music blog on 28 March 2016.] Released two weeks into 2011, the Vector Tables extended-play by Datavision Ltd. is one of the earliest examples of the broken transmission subgenre of vaporwave, which samples late-night television, advertisements, and bumpers in typically lo-fi form through “garbage muzak” aesthetics.1 The project consisted of Robin Burnett and […]
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