[News] TKX Vault starts up again, issues new music, deletes several albums

TKX Vault was a label run as an imprint of Dream Catalogue that primarily focused on experimental, drone, and noise-based releases within the contexts of both vaporwave (especially the early albums) and dreampunk. The label’s original run went from September 2014 to June 2016, with a one-off release by ULTRACOMPUTER silently issued after the label’s closure in October 2016. With […]

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Acid Medical releases two albums: “Zero” by Unknown Artist and “God” by Unknown Forever

Acid Medical continues its string of new albums and reissues with Zero by Unknown Artist (released Saturday) and God by Unknown Forever (released Friday). Both artists have released music on TKX Vault in the past, and both utilize experimental ambient music and drone in their production. Zero is a single track at almost forty-five minutes in length of slowly building […]

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La Santisima 死 – PROSPERITY

Recommendation: ¯\_(ツ)_/¯ La Santisima 死1 is a mainstay on Botanica1, which is part of a semi-collective of labels that also includes Sub Swap Audio Brewing and Seikomart. Whereas the other labels primarily release on classic-style vaporwave, chillwave, and hypnagogic drift; Botanica1 has always remained firmly within ambient vaporwave and dreampunk music. La Santisima 死 is no exception, being a prolific […]

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Sunset Grid releases “The Evolution of Techwave” by creative_reality17

Now that’s an album art for the ages. The Evolution of Techwave is a new release by creative_reality17, currently out on Sunset Grid. This release marries classic-style vaporwave with elements of drone and progressive electronica with a distinct lo-fi edge that sounds as if it’s coming from a late-70s sci-fi movie. Tracks like “Bleep” go vaportrap. Recommended for fans of […]

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仮想夢プラザ self-releases “帰る”

telepath returns to the 仮想夢プラザ (Virtual Dream Plaza) project with another addition to its third installment, which began back in August 2016 with the double-release of 破片 and 仮初 on Dream Catalogue. As with previous releases, 帰る (translated as “return to home”) is exactly thirty-two minutes long and incorporates the increased focus on drone and progressive synthesizer music that has […]

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